Almost without planning it, I've ended up with five Viscontis — more than any other brand in my collection. And two of those five are the "Van Gogh" model, Visconti's relatively inexpensive steel-nibbed model (alongside the Rembrandt and the new Mirage, I guess). The Van Gogh isn't perfect — in fact, it has some of … Continue reading A portrait of the Visconti Van Gogh
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Magnificent seven: Black Friday edition
I swore to myself: no new pens before Christmas. But (predictably) I failed. The Black Friday discounts got the better of me. I'm undecided how I feel about this ultimately consumerist holiday, and what it means for the small retailers and brands that I try to support. But my actions speak louder than my words. … Continue reading Magnificent seven: Black Friday edition
The great puzzle of the Pineider La Grande Bellezza
The Pineider La Grande Bellezza is a confusing pen, with some head-scratching design decisions marring what could have been a great addition to the pantheon of Italian fountain pens. Let me rattle through the basics first. This is a cartridge/converter pen, of pretty good size, with a 14k nib and a metal section. It comes … Continue reading The great puzzle of the Pineider La Grande Bellezza
I really wanted to like the Lamy Imporium
When I found out that Dapprman had a Lamy Imporium, I practically jumped up and down with glee to try it. And then he let me borrow it! See, the pen community is a wonderful thing. The Imporium is Lamy's flagship, descended from the 1990s Persona. It's an uncommon pen. I am a huge fan … Continue reading I really wanted to like the Lamy Imporium
Montegrappa’s Extra ‘The Sea’ makes a big splash
Let's get the name out of the way first: the pen I'm reviewing here is the Montegrappa Extra 1930 Colori del Mare 'The Sea', a limited edition of 27 pens produced for Chatterley Luxuries (there are six other colours too, each in an edition of 15 pens). I'm going to call it the 'Extra' from … Continue reading Montegrappa’s Extra ‘The Sea’ makes a big splash
The Leonardo Momento Zero is simply fabulous
I've teased this in the last couple of posts, so I'll come right out and say it: the Leonardo Momento Zero has blown me away. In this review I'll explain why. First impressions? Beautiful pen. It's testament to Leonardo's designers that I agonised for a long time over which colour to pick: turquoise, dark red, … Continue reading The Leonardo Momento Zero is simply fabulous
The Graf Classic exudes quality
I thought the Graf von Faber-Castell Classic was very overpriced. Comparing it against my other (and only) Graf, the Intuition Platino Ebony, it's tiny, skinny, more conventional — a separate section, a standard converter, a tiny nib. The family resemblance is unmistakable, of course. The metal flared cap, the curving clip, the fluted wood barrel, … Continue reading The Graf Classic exudes quality
A day with a Duofold
I've wondered on and off for some time about getting a Duofold — ideally a Centennial (the larger size) in Big Red colour. Considering my first fountain pens were Parkers, my collection is alarmingly Parker-free. A few things have put me off from getting a Duofold, though. First is the price. These are flagship-priced pens, … Continue reading A day with a Duofold
Travels with pens: Krakow and a new 149
Back to the airport... I always knew that I'd get another Montblanc 149 to replace the one I sold. There's something about the proportions that's just perfect, and it's a timeless design. And a work trip to Krakow this week presented me with an opportunity to scratch the itch. The Montblanc boutique in Terminal 5 … Continue reading Travels with pens: Krakow and a new 149
The state of the collection (or why it’s good to stop and appreciate what you have)
One thing I probably don't say often enough is this: I am bloody chuffed with my pen collection. Sure, it's always waxing and waning. There's a gradual shift in emphasis from manufacturer to manufacturer, big to small, fine to broad, bright to monochromatic, and back again. Life would be boring if we weren't always pursuing … Continue reading The state of the collection (or why it’s good to stop and appreciate what you have)
