Onoto’s Mammoth Magna #8: masterpiece or mistake?

I’ve dragged my feet about writing this review for a couple of reasons. First, I’ve published quite a few Onoto reviews this year: the Pinstripes, British Museum, Sequoyah, Spitfire… with this, I’ll have covered Onoto more than any other brand. Second, this Blue Stripe Magna #8 is not a standard production pen. I bought it … Continue reading Onoto’s Mammoth Magna #8: masterpiece or mistake?

Flying high with the Onoto Spitfire

A ‘tribute’ pen is a dangerous thing. Look at something like Montegrappa’s Apollo 11 moon landing pens: I confess that I quite want one, but nevertheless they come across like cheap toys, even when the top-tier edition costs an eye-watering £6,000. It’s not just Montegrappa’s usual over-the-top style, either. Platinum and Cross have both done … Continue reading Flying high with the Onoto Spitfire

Art and alchemy: The Onoto Great Court Vitreous Enamel

Rather than words comes the thought of high windows:   The sun-comprehending glass,And beyond it, the deep blue air, that showsNothing, and is nowhere, and is endless. Philip Larkin, High Windows Few pens make me want to quote poetry (especially by my favourite poet). The Onoto Great Court Vitreous Enamel Sterling Silver is one. But let’s get … Continue reading Art and alchemy: The Onoto Great Court Vitreous Enamel